Hyena Movie Download
| Hyena | |
|---|---|
| Directed by | Gerard Johnson |
| Produced by |
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| Written by | Gerard Johnson |
| Starring | |
| Music by | The The |
| Cinematography | Benjamin Kračun |
| Edited by | Ian Davies |
| |
| |
| 112 minutes | |
| Country | United Kingdom |
| Language | English |
The latest unlikely friendship that we've come across is one that seems like it's straight out of a Disney movie - a meerkat, a hyena cub, and two lion cubs. Yeah, we know, aren't hyenas and lions mortal enemies? And isn't a meerkat merely a snack for hyenas. Released, 'Hyenas' stars Christa Campbell, Costas Mandylor, Rudolf Martin, Joshua Alba The movie has a runtime of about 1 hr 32 min, and received a user score of 36 (out of 100) on TMDb, which. Hyena v14.2 - Total System Administration. Select from one of the links below to download a fully functional 30-day evaluation copy of Hyena for the appropriate platform and language. The zip-compatible download includes all necessary support libraries and the installation program.
Hyena is a 2014 British neo-noircrime thriller film written and directed by Gerard Johnson.
Plot[edit]
Michael Logan is a detective sergeant in London, working as part of a specialised taskforce alongside his friends and colleagues Chris, Martin and Keith. The taskforce's unconventional and corrupt operations bring the officers into contact with European drug syndicates, with them happy to turn a blind eye to their dealings for either a cut, or electing to confiscate suppliers' merchandise for their own profit. Logan meets with a contact in a Turkish drug cartel, who is organising a large scale shipment that he has invested £100,000 into with the hope of netting an even better profit. However, during the meeting his contact is ambushed and attacked by members of a rival Albanian gang, run by the Kabashi brothers, looking to expand their power. Logan meets with and aims to provide the Albanians with the same service he provided the Turks, but they aren't easily led.
Meanwhile, he and his colleagues are being investigated by the Professional Standards Department, headed up by Detective Inspector Nick Taylor. Complicating matters further, Logan is seconded from the Taskforce to a new operation run by the vice unit, aiming at investigating the Kabashi's involvement in people trafficking. It is headed up by DI David Knight, a former friend and colleague of Logans who he fell out with a decade prior.
Cast[edit]
- Peter Ferdinando as DS Michael Logan, West London Police Taskforce
- Tony Pitts as Keith, West London Police Taskforce
- Neil Maskell as Martin, West London Police Taskforce
- Thomas Craig as DCI Harrison, Head of West London Police Taskforce
- Stephen Graham as DI David Knight, West London Police CSO14
- Richard Dormer as DI Nick Taylor, West London Police Professional Standards
- Lorenzo Camporese as DS John Noonan, West London Police Professional Standards
- MyAnna Buring as Lisa, a close friend of Michael
- Orli Shuka as Nikolla Kabashi, an Albanian gangster
- Gjevat Kelmendi as Rezar Kabashi, an Albanian gangster
- Elisa Lasowski as Ariana, an Albanian woman trafficked by the Kabashi's
- Mehmet Ferda as Akif Dikman, a Turkish criminal
Release[edit]
Hyena was the opening film at the 2014 Edinburgh Film Festival and later in 2014 was shown at the Toronto International Film Festival.
Tribeca acquired North American rights to the film.[1] It ran on 24 April 2015 as part of the Tribeca Film Festival.[2]
Reception[edit]
On review aggregatorRotten Tomatoes, the film holds an approval rating of 77% based on 44 reviews, with an average rating of 6.11/10. The website's critics consensus reads: 'Sinking in with as much baleful bite as its namesake, Hyena offers a dark, stylish, and impressively gritty addition to the British crime genre.'[3] On Metacritic, the film has a weighted average score of 56 out of 100, based on 17 critics, indicating 'mixed or average reviews'.[4]
Accolades[edit]
Hyena won the main Jury prize at Beaune Film Festival 2015, Best Film At 2014's Sitges Film Festival's Fantàstic Òrbita section and at Les Arcs European Cinema Festival, Peter Ferdinando won the Métronews Best Actor award for his performance in Hyena.[5][6]
Soundtrack[edit]
The soundtrack to Hyena was composed and recorded by Matt Johnson under the moniker The The, his British post-punk genre-busting band known more recently for a series of parallel soundtrack works. Matt is the brother of writer and director Gerard Johnson, and has provided soundtrack input to many of his brother's earlier works including short film Mug and the feature-length Tony.
The soundtrack is a genre-crossing piece rooted in early electronica and ambient genres with a central European influence to reflect the origins of the main villain protagonists.
References[edit]
- ^Lang, Brent (15 September 2014). 'Toronto: Tribeca Film Snags Cop Thriller 'Hyena''. Variety. Retrieved 10 May 2018.
- ^Miska, Brad (15 September 2014). 'Tribeca Film Festival's Midnight Titles Include 'Stung'!'. Bloody Disgusting. Retrieved 10 May 2018.
- ^'Hyena (2015)'. Rotten Tomatoes. Retrieved 11 May 2020.
- ^'Hyena Reviews'. Metacritic. Retrieved 11 May 2020.
- ^''The Fool' de Yuriy Bykov remporte la Flèche de Cristal'. ledauphine.com. 19 December 2014. Retrieved 10 May 2018.
- ^Keslassy, Elsa (19 December 2014). 'Yury Bykov's 'The Fool' Wins Top Prize at Les Arcs'. Variety. Retrieved 10 May 2018.
External links[edit]
- Hyena at British Council–Film
- Hyena at BFI
- Hyena at LUMIERE
- Hyena on IMDb
Our anti-hero is Michael Logan (Peter Ferdinando), a deeply corrupt narcotics detective who leads a task force of equally dirty cops who are given slack from their superiors because they do get results from time to time. To further expand his bottom line, Logan has just invested $100,000 in a Turkish drug smuggling ring that he will guarantee protection to in exchange for a cut of the profits. Of course, that plan goes sideways when a pair of Albanian brothers hack his contact to pieces—while he watches from a hiding place in horror—as a way of adding the drug trade to a criminal portfolio that already includes human trafficking. While investigating the brothers, he meets one of their prisoners, Ariana (Elisa Lasowski), and determines to rescue her from their clutches.
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While trying to figure out how to deal with the Albanian intruders, Logan's professional life grows ever more complicated. For starters, after he moves from investigating narcotics to focus on the human trafficking, he learns that the department has placed the investigation in the hands of Knight (Stephen Graham), a former partner with whom he had a serious falling-out a few years earlier. At the same time, another colleague, the slimy internal affairs investigator Taylor (Richard Dormer), is looking into his activities for evidence of corruption that threatens to torpedo his entire career. Ironically, it is when he does one unambiguously noble thing—rescuing Ariana from the clutches of the traffickers and hiding her out with his own long-suffering girlfriend (MyAnna Buring)—that his carefully crafted world begins to crumble around him in increasingly violent and horrific ways.
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From a dramatic standpoint, writer-director Gerard Johnson has not exactly reinvented the wheel here. The narrative is basically a pastiche of elements cobbled together from such inspirations as the aforementioned 'Bad Lieutenant,' 'Taken,' 'Taxi Driver' and 'Filth,' Irvine Walsh's darkly comic study of a thoroughly monstrous U.K. cop that was the basis for an equally lurid screen adaptation with James McAvoy in the lead role. He does not really seem to have much to say other than to note the borderline interchangeable nature of cops on the edge and the criminals they are theoretically charged with pursuing. (Don't stop the presses!) With the exception of Logan, none of the other characters have been fleshed out in any meaningful way—both of the major female characters are introduced in promising fashion only to be essentially abandoned for large chunks of the running time. There are plenty of twists and turns in the plot as Logan gets himself into deeper and deeper trouble but they are entirely predictable, and while I would not dream of revealing the final shot of the film, I suspect that anyone who actually makes it to the bitter end will be enraged by what it does and does not contain.